Annie Morris
Pinot noir is the new merlot.
Mustard the new salsa.
Zoloft used to be the new Prozac,
but now it’s Lexapro.
Wireless is the new wired.
Words aren’t printed anymore:
they’re posted on the net.
Who knows if in ten years
there will still be books
or either one of us?
Marriage is the new divorce.
Abstinence the new desire.
Before I met you, Annie, I didn’t know
how meek I was or how angry
or anyone who’d lived
as many lives as you,
the long-haired and entirely romantic,
the always-looking-thirty-five.
So much has changed
the old routine. You’ve married
your bonnie boy and moved away.
Now to whom can I complain
my same old complaints and
to whom can I open my heart?
To no one, dear friend,
have I ever opened my heart.
Avalon
About to seek a new life overseas, as if to Avalon
he goes, he speaks so strangely of his taking leave—
no job, no flat, no health protection
for his grave disease. My friend confessed
to me that what he held most dear was not
his chaired professorship, his academic work
the decades he spent steering students
through the cantos and the odes. But those two years
with his man—their nights of books and talk,
wine with friends, chicken in the pot:
the old rages roaring but the heart caught.
Now the good lease is up. His Arthur’s in the vale,
salted in the urn, and my friend’s gone
to seek the grievous world again or Avalon.
Sleepless Johnston
About Norman Johnston, who almost got away…
When the city lights came on
and the air turned gray,
Sleepless Johnston finished filing through
his bars and ran away.
He flew through Pennsylvania
in a green hot-wired Olds.
He left a dummy on his cot
made of prison clothes.
Had coins to call his cousins
and marathon running shoes—
the gifts of a nurse who loved him
or wanted some of his loot.
Johnston, they said, had millions tied
up in high-tech stocks,
or hidden away in Cayman banks
or stuffed in a cardboard box.
But maybe he had nothing left
and was after black revenge,
was weary of doing life in jail
and had to go home again.
He dreamed his mom would fry him eggs,
let him bathe and sleep
a good long sleep to die for
on daisy-covered sheets.
But Johnston was a menace—a thief
and murderer as well.
He shot three young men at least
and killed a teenage girl.
Forty grand the lawmen promised;
a price they swore they'd pay
to any soul who'd help them catch
this cunning runaway.
In a tavern a trooper saw him
having a smoke and a beer,
but Sleepless fled like a vision of Elvis
when the cop came near.
Oh, there were plenty of sightings
though most of them were fake.
Line workers called in phony clues
for slippery Johnston's sake.
He haunted all the pay phones
begging cousins for a bed.
Yet most hung up when Sleepless rang.
At last one kinsman said:
The law has us surrounded.
You can't come over here.
Keep running, man. Wing like a bat
or hide like a deer.
But after twenty years in jail
familiar woods were few.
Developers had subdivided
the countryside he knew.
Patrol cars right behind him
in front the rising sun,
Johnston went down a cul-de-sac.
Folks called 911.
No dogs, no guns, no searchlights
only rest and peace
were the things that Sleepless wanted
as he walked to the police,
and gave up by a bird bath—
exhausted, nearly dead.
Sleepless held out his two hands
for cuffs, some chow, a bed.
He hadn't any millions
just his pants and shirt
and those fancy track shoes,
and the lost hope of the nurse.
Note: This ballad is about Norman Johnston, a member of the notorious Johnston crime family, which had operated in and around rural Chester County, Pennsylvania. Norman Johnston escaped from Huntingdon Prison in central Pennsylvania and was on the run for 18 days in August of 1999 before being caught in Pennsylvania near the Maryland border.
“Sleepless Johnston” first appeared in Lyrical Ballads.

